How to Use This Tool
Paste an essay. Everything except the first sentence of each paragraph disappears. Read what is left.
Why removing the text is the point
This is sometimes called a reverse outline: instead of writing a plan and then the essay, you take the finished essay and recover the plan it actually has, which is often not the plan you intended.
You cannot do this by reading your own essay, because you know what each paragraph is for. The supporting sentences fill in the gaps automatically in your head. A marker reading forty scripts does not have that. They skim, and what they skim is roughly the opening of each paragraph.
So the test is simple: do the topic sentences, read in order and by themselves, make an argument? If sentence three does not follow from sentence two, the essay has a structural problem that no amount of tidying inside the paragraphs will fix.
What gets flagged
The tool does not judge whether a topic sentence is good — that needs to understand your argument. It flags things that are countable and that reliably indicate a structural problem:
- Opening with a bare pronoun. A paragraph starting This is not a straightforward win or They also argue that… depends on the previous paragraph to mean anything. In the skeleton view it is visibly empty, which is exactly how it reads to a skimming marker.
- Repeated discourse markers. Two paragraphs both opening with However signal two contrasts, and readers expect the second to contrast with the first. Usually it does not.
- Opening with a statistic. Sixty per cent of respondents said… is evidence, not a claim. Evidence belongs in the body; the opening should say what the evidence is for.
- Very long openings. Past about 35 words a topic sentence has usually merged the claim with its justification, and the claim stops being visible.
A note on the one-sentence assumption
This takes the first sentence of each paragraph as the topic sentence. That is the convention taught for exam and academic writing, and it is what markers are trained to look for, but it is not a law of prose. Narrative and journalistic writing often place the point last. If you write that way deliberately, the skeleton view will look wrong and that is not a fault in your essay.
